The Age of Pilgrims and Crusaders: Romanesque Art

ROMANESQUE EUROPE

ARCHITECTURE

SCULPTURE

PAINTING


ARCHITECTURE

Romanesque architecture is noteworthy principally for the use of the round arch and for the use of stone barrel and groin vaults. Walls are also thick and solid. Most of the new buildings were cathedrals, churches, and monasteries that varied in style from one region to another. A number of churches were designed to accommodate visiting pilgrims.

The "White Robe of the Church":

The construction of new churches was widespread.

Southern France

A New Church for French Pilgrims:

Saint-Sernin is an example of the new church of the "pilgrimage type".

17-1 Aerial view (from the southeast) of Saint-Sernin, Toulouse, France, ca. 1070–1120.

  1. exterior
  2. exterior
  3. exterior
  4. exterior

17-2 Plan of Saint-Sernin, Toulouse, France, ca. 1070–1120 (after Kenneth John Conant).

  1. Plan
  2. Plan
  3. Plan
  4. Plan

17-3 Interior of Saint-Sernin, Toulouse, France, ca. 1070–1120.

  1. nave
  2. nave
  3. nave

Fighting Fire with Stone Vaults:

Stone vaults reduced the risk of fire.

An Earthly Dwelling Place for Angels:

The stone-vaulted monastery church at Cluny (Cluny III) was the largest in Europe.

Germany and Lombardy

A Problem Solved:

Groin Vaults: Groin vaults permitted the introduction of a clerestory.

A Daring German Experiment:

The design of Speyer Cathedral follows a modular scheme and employs an alternate-support system in the nave.

17-4 Interior of Speyer Cathedral, Germany, begun 1030; nave vaults, ca. 1082–1106.

  1. interior
  2. interior
  3. interior
  4. interior

17-5 Plan of Speyer Cathedral, Germany, begun 1030.

  1. plan
  2. plan
  3. plan
  4. plan

Innovative Rib Vaulting in Lombardy:_

The modular scheme and alternate-support system employed at Sant'Ambrogio in Milan created a series of domical ribbed groin vaults.

17-6 Sant'Ambrogio (view from the northwest), Milan, Italy, late eleventh to early twelfth century.

  1. exterior
  2. exterior
  3. exterior
  4. exterior

17-7 Plan of Sant'Ambrogio, Milan, Italy, late 11th to early 12th century.

  1. Plan
  2. Plan
  3. Plan
  4. Plan

17-8 Arial View of Sant'Ambrogio, Milan, Italy, late eleventh to early twelfth century.

  1. Arial View
  2. Arial View
  3. Arial View
  4. Arial View

Normandy and England

The Normans in Normandy and (after 1066) in England developed a distinctive Romanesque architectural style

A Church for England's Conqueror:

The twin-towered façade of the church of Saint-Étienne at Caen is divided into three bays. The nave employs an alternating system of compound piers with engaged half-columns and piers with half-columns attached to pilasters that rise through three stories to support rib vaults.

17-9 West façade of Saint-Étienne, Caen, France, begun 1067.

  1. facade
  2. facade
  3. facade
  4. facade

17-10 Interior of Saint-Étienne, Caen, France, vaulted ca. 1115-1120.

  1. nave
  2. nave
  3. nave

17-11 Plan of Saint-Étienne, Caen, France.

  1. plan
  2. plan
  3. plan
  4. plan

Romanesque on the Scottish Border:

Durham Cathedral alternates large ornamented pillars with compound piers that support a series of seven-part groin vaults each covering two bays. It is the earliest example of ribbed groin vaults placed over a three-story nave.

17-12 Interior of Durham Cathedral, England, begun ca. 1093.

  1. nave
  2. interior
  3. nave
  4. nave

17-13 Plan and transverse section of Durham Cathedral, England, (after Kenneth John Conant).

  1. plan
  2. plan
  3. plan
  4. plan

Tuscany

Tuscan Romanesque architecture adheres closely to the traditions of the Early Christian basilica.

A Cathedral with Unstable Belltower:

The cathedral complex at Pisa comprises a cathedral, a free-standing bell tower, and a baptistery. The cathedral has a timber ceiling and a nave arcade of reused classical columns. Arcaded galleries decorate the exterior of the leaning bell tower.

17-14 Cathedral complex, Pisa, Italy; cathedral begun 1063; baptistery begun 1153; campanile begun 1174.

  1. view
  2. baptistery
  3. duomo
  4. campanile

17-15 Interior of Pisa Cathedral, Pisa, Italy, begun 1063.

  1. interior
  2. nave
  3. nave
  4. nave

A Romanesque Baptistery in Florence:

The exterior of the octagonal Baptistery in Florence is decorated with polychrome marble incrustation.

17-16 Baptistery of San Giovanni, Florence, Italy, begun 1053.
Image courtesy of Saskia, Ltd.

  1. exterior
  2. exterior
  3. exterior
  4. exterior

 

 

 

 

 

Old and New in a Florentine Basilica:

Geometric polychrome marble incrustation decorate the exterior of San Miniato al Monte, while the inside of the nave is divided by diaphragm arches and roofed with timber.

17-17 West façade of San Miniato al Monte, Florence, Italy, 1062 and 12th century.
  1. façade
  2. detail
  3. façade
  4. façade
Image courtesy of Saskia, Ltd.

17-18 Interior of San Miniato al Monte, Florence, Italy, 1062 and 12th century.

  1. interior
  2. interior
  3. interior
  4. interior

ROMANESQUE EUROPE

ARCHITECTURE

SCULPTURE

PAINTING